When you think of dark, Urban Fantasy, you might think of China Mieville, Neil Gaiman, or Charles de Lint. I would chose Cornell Woolrich as the creator of a unique form that blended elements of crime fiction, horror, noir, and fantasy. H.P. Lovecraft might not have known it, but Woolrich wove tales of cosmic horror.
The premise to Night Has a Thousand Eyes is pure Woolrich: the race to save a doomed man. A policeman hears a young woman’s story. To save this woman, he must save her father from certain doom. Only the doom is not so much physical, as spiritual. A psychic has predicted a wealthy industrialist will die. The psychic’s astonishing record of true predictions seems to confirm his powers of prophecy. But the NYPD doesn’t believe in ESP. As the protagonist’s colleagues race to prove the psychic to be false, the protagonist must battle the malignant forces of the unknown that are driving the marked man into lethal despair. Night is Woolrich at his best, creepy, suspenseful, and utterly unpredictable.